Michael Billington
Michael Billington has written about theatre for the Guardian since 1971. His books include The 101 Greatest Plays and State of the Nation: British Theatre Since 1945
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A new revival of The Circle is a reminder of a dramatist who smuggled vital messages into broad crowdpleasers
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There are invigorating versions of Guys and Dolls, Oklahoma! and Cabaret in London – and some enticing new dramas coming up – yet theatre risks being cut off from its past
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He presented himself as a message-free entertainer but, 50 years after his death, it is time to reconsider the variety of the great playwright’s work
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In a shocking attack, the ballet director Marco Goecke smeared dog excrement in the face of Wiebke Hüster in retaliation for her review. Yet it isn’t the first time an artist has assaulted a critic. Our writers share their worst moments
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Dramatist and screenwriter whose best-known stage play, Alpha Beta, is a scorching study of marriage and morality
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Pitting the capital against the regions is a cynical political ploy and the Arts Council’s cuts are a catastrophe for new writing – as well as the entertainment industry
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3 out of 5 stars.
The Yeomen of the Guard review – tonal uncertainties but G&S update has plenty to enjoy
3 out of 5 stars.Jo Davies’ 1950-set staging of the late G&S opera may not fully cohere but musically we’re in excellent hands and Richard McCabe’s is a moving – and sweatily desperate – Jack Point
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Costumes, props, posters and archive video footage all feature in an expansive exhibition that leaves you itching to see some shows again
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An immense task awaits the Royal Shakespeare Company’s new artistic directors who must attract top talent, prioritise verse-speaking and combine classic repertory and contemporary drama
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The two titans of modern drama were both cricket obsessives. What if they had faced the fast bowlers together? Playwright Shomit Dutta explains why he made it happen – with darkly comic drama Stumped
Medea in mid-air: how Syracuse’s Greek theatre keeps the classics alive