Andrew Pulver
Andrew Pulver is Film editor, guardian.co.uk
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The award-winning film-maker who is premiering The Old Oak at the Cannes film festival said ‘I’ll be nearly 90 and your facilities do decline’
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In a recent interview the US director criticised watching films on phones, saying that ‘people think they’ve seen a movie, but they haven’t. It’s sad’
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4 out of 5 stars.
Vermeer: The Greatest Exhibition review – best seats in the house for sold-out show
4 out of 5 stars.This elegantly produced tour of the Rijksmuseum’s blockbuster exhibition allows you to enjoy leisurely closeups without having to fight through the crowds -
Prestige slot for Jeanne du Barry, featuring Depp as Louis XV, has drawn criticism but general delegate Thierry Frémaux says it is not ‘a controversial choice’
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‘A friend,’ recalls director Jerzy Skolimowski, ‘told me a story about a diamond that was lost for ever after being dropped in snow. I thought: “But you could grab the snow, melt it and get it back.” It seemed a great idea for a film’
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The actor, who broke more than 30 bones after being run over on New Year’s Day, is seen using an ‘anti-gravity’ treadmill
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3 out of 5 stars.
Hurst: The First and Only review – misty-eyed football doc reveals the man behind the hat-trick
3 out of 5 stars.While too much time is spent on 1966 and all that Matthew Lorenzo’s profile draws out a hitherto unseen vulnerable side to the striker turned insurance salesman
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This year’s Academy Awards with Jimmy Kimmel at the helm drew an average TV audience of 18.7m – and a bigger share of younger viewers
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Surreal comedy starring Michelle Yeoh and directed by Daniel Kwan and Daniel Scheinert, AKA ‘the Daniels’, takes top prize
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Yeoh becomes the first south-east Asian performer to win the award, adding to her Golden Globe and Sag awards for the role
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Actor wins prize for performance as a reclusive, morbidly obese teacher in the drama directed by Darren Aronofsky
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Duo known as ‘the Daniels’ win prize for their second feature, defeating Steven Spielberg
‘We used to agree on who we trust. Now we don’t’: James L Brooks on truth, The Simpsons and adapting Judy Blume